About We Speak in Storms

A powerful and haunting debut novel about friendship, acceptance, and learning to let go as the balance between the living and the dead is upended, perfect for fans of We Were Liars.

It’s been more than 50 years since a tornado tore through a drive-in movie theater in tiny Mercer, Illinois, leaving dozens of teens — a whole generation of Mercerites — dead in its wake. So when another tornado touches down in the exact same spot on the anniversary of this small-town tragedy, the town is shaken. For Brenna Ortiz, Joshua Calloway, and Callie Keller, the apprehension is more than just a feeling. Though they seem to share nothing more than a struggle to belong, the teens’ paths continue to intersect, bringing them together when they least expect it, and perhaps, when they need it most. Both the living and the dead have secrets and unresolved problems, but they may be able to find peace and move forward–if only they work together.

A beautifully told, haunting yet hopeful novel about pushing past the pain, facing the world, and finding yourself.


A hauntingly atmospheric coming-of-age story . . . with fully realized characters, an empowering message, and a highly satisfying conclusion.
— SLJ
A lingering, quietly paced story about the echoes of trauma and the persistence of hope.
— Booklist

Excerpt of We Speak in Storms

 On October 7, 1961, some of us snuck from our houses, climbing onto roofs, dropping into bushes. Some of us called to our parents: We’ll be at the movies. See you later. We ignored the sharp wind, the chill that ran along the collars of our letterman jackets and the tops of our ankle socks. We loaded the pickup beds with quilts and pillows and packs of beer stolen from our fathers’ basements. Or we piled into cars with our sweethearts, unable to keep our hands still, our skin from buzzing.

We drove into the country and parked our Catalinas, Coupes, VWs, and LeSabres in neat lines, mirror to mirror, facing the two-story whitewashed wall. We checked our watches, ordered pop from the waitresses, and made final trips to the outhouse, a few of us glancing warily up at the clouds. The projectionist started Breakfast at Tiffany’s, wobbly at first, the image gritty, and then, finally, everything was steady. Above us: our stars. We climbed into the back seats to neck our sweethearts, happy in the shadows. Or we sprawled with our friends in the truck beds like sleeping puppies, backs on knees, shoulder blades on stomachs, legs on legs. The movie’s light playing out on our faces, in our eyes.

The wind grew stronger, and those of us outside pulled the blankets up to our chins and scooted closer to one another. The rain was next, pelting the cars’ steel roofs. We squeezed into truck cabs, sitting on one another’s laps, or we continued to fog rolled-up windows, kissing furiously—as though we knew time was almost up.

The movie stopped. A bullhorn announced something, the voice lost in the wind. Cars started for the exit, but it jammed. Some of us watched through blurred windows and waited, thinking the storm would pass.

Then, abruptly, the rain stopped. We laughed at our fear and clamored for the projectionist to start the movie back up. We failed to notice that the night sky had become the color of jade. Even though we’d grown up in the Midwest, most of us had never seen a tornado. Not up close. Not with its great, wide spin, its tapering cone. We’d never heard the roar, the rumored freight-train scream.

Not until that moment.

We panicked, put our cars in reverse, and drove madly through the field, ignoring lanes and rights-of-way. There were crashes. Some of us spilled from our cars and sprinted for the snack bar, the outhouse, the ditches. There were those of us who screamed and those who froze, facing the tornado.

We were a whole generation of Mercer. We were sons and daughters, born at the end of our parents’ Great War. In a few years, we were supposed to go to college, join the military, marry, or stay home to help with the farm. We were supposed to leave and come back or never leave at all. We were supposed to raise children here, love them like we were loved, teach them loyalty to the town and its lore. Our children were supposed to sneak out of houses, pile into pickups, and watch their own stars. It was supposed to be a cycle, we thought. On and on and on.

How were we to know.